The Associated Press
You have to be a little crazy to tilt at windmills — or sometimes, just to build them.
Michael Reynolds has been raising hell and building what he calls earthships in the Taos, N.M., desert for more than three decades. With his long gray hair, salty language and almost surreal single-mindedness, Reynolds is a larger-than-life man of eco-action.
He thinks he is here to save the Earth, if only out of self-interest.
“I feel I’m in a herd of buffalo, and they’re all stampeding toward a 1,000-foot drop-off ... ,” he says. “If humanity takes the planet down the tubes, I’m dead.”
Reynolds is the star of the documentary “Garbage Warrior,” which helps open the second season of Sundance’s “The Green” at 8 p.m. Tuesday. And he is a magnetic presence, whether he’s building houses out of old tires and bottles, providing shelter for tsunami survivors or battling politicians.
“The Green” is much the same as last year: a weekly, Tuesday night block of programming focused on the environment. Hosted by journalist Simran Sethi and community advocate Majora Carter, “The Green” includes a half-hour show, “Big Ideas for a Small Planet,” as well as short, interstitial pieces about ecology.
It also offers longer documentaries such as “The Nuclear Comeback,” about renewed interest in nuclear power; “The Greening of Southie,” a look at the construction of Boston’s first green residential building; and “Escape From Suburbia,” examining the American lifestyle in an age of rising prices and declining oil supplies.
“Garbage Warrior” is many things — a meditation on the need to think outside the box in trying times; a suspenseful yarn about a maverick’s struggle with the status quo; and more than anything else, a profile of a visionary who may be carbon neutral, but is neutral in no other sense.
He started out as a classically trained architect at the University of Cincinnati, but he didn’t want to build little houses made of ticky-tacky; he wanted to build houses out of beer cans. So he moved to New Mexico and did just that.
The walls of Reynolds’ organic-looking houses are filled with detritus — cans, tires packed with dirt, plastic and glass bottles.
“This is garbage, and it comes out like stained-glass jewels,” he says.
People flocked to New Mexico to buy Reynolds’ earthships. But he was making it up as he went along, and the experiments sometimes had unhappy results — leaky roofs, too much heat. Once, an unhappy homeowner showed Reynolds his vintage typewriter. It had melted.
If “Garbage Warrior” has a weakness, it is the nearly total depiction of local and state officials as mindless drones. But the scenes that follow make up for it. Reynolds takes his magic to Asia, to show people left homeless by the 2004 earthquake and tsunami that they can use garbage to build houses. He takes it to Mexico, to help victims of Hurricane Rita in 2005.
The aim is to give these unfortunates shelter, while at the same time exporting Reynolds’ new American Dream — a dream of a life in tune with the Earth, a dream of the self-sufficiency he has found.
“I am free,” he says. “I am absolutely free.”
Source: http://www.kansascity.com